Japaneese dritwood. This lovely record has been echoing in my ears a few times recently. It was cut, layer and cordinate axis by Kenji Takimi and Tomoki Kanda, KT Mastering. Original sound recording by Crue-L Records, Tokyo. Nuclear Hot Summer 2011.
For me the musical meanderings are the result of listening to Jose Padilla’s recent Mixcloud jetsom
If it had literally floated on the sea, like much of the Tsunami debris, it would have followed the currents below, and ended up on the West Coast of America perhaps on the beaches of San Diego
It reminds me in parts of Josephine (La version Francaise)